QUOTE BOB ATCHISON April 29, 2004, 08:55:00 AM
I was lucky to see it when it was a total wreck. Seeing it in that condition helps one to appreciate how far the Russians have come in restoring the church.
In the 80's there was no floor in the church, holes in the roof, signs of fires, graffiti and garbage everywhere. It looked like a devils lair and made tears come to one's eyes. Here was one of the great monuments of Russian art and architecture lying in ruins before you. When you looked up into the dome and saw the rooks flying in and out of the shattered windows it was fair to wonder if the Cathedral's fate was to simply crumble into the ground through further neglect.
One of the advantages the building had is that is was constructed at the beginning of the 20th century and the foundations were solid and firm, otherwise it would probably had collapsed into dust long before.
This ruin was evidence of so much hate for art, religion, Russia, the Romanovs... the scarred remains of the cathedral were a monument to evil and destruction. When you drove from Leningrad to Pushkin the hulking black mass of the church loomed like a ghost on the right of the road - a reminder of the past and all the bad things that had happened here.
Back in the 80's nobody thought the Feodorovsky would be restored in our lifetime - if anything was done the facade might be renewed, but the dream that it might be a working church again - well that seemed impossible.
So much as changed since then.....
Thanks to God, the people of Tsarskoe Selo and the clergy of the church a 'resurrection' has happened. Little money has meant much has had to be done on a shoestring budget and volunteers did much of the work. In the midst of all this goodness unscrupulous people - even criminals - who wanted to defraud the church and use the sobor for their own venal purposes appeared. They descended upon the church like 'sheep in wolves clothing', but they were stopped! People sometimess laugh about the 'babushkas' of the sobor, but their eagle eyes could spot these people a mile off!
So the struggle and the resurrection continues - thanks to Antonio we will soon have some beautiful new pictures to see what the Russians have accomplished....
QUOTE BOB ATCHISON May 01, 2004, 10:27:29 AM
Isn't it true, Joanna? It really gives you hope to see what the people and clergy of the church have done. Imagine how they felt when they started the project - just look at what they had to begin with!
At the first there was a Russian Romanov organization involved - they were so brave to do it when communism was still in power. These people did a lot - they sponsored conferences, raised money, published articles and the like.
Now that the restoration is a success there are bound to be people who will try to take credit for it. In the days of the Internet anybody can claim to be anything they want, with Photoshop you can turn an ugly duckling into a swan. You can invent any history you want and publish it. You can create you own phony fan club and try and turn yourself into a star. So be careful, if anyone asks for money for the cathedral or the palace check them out completely before getting involved. Ask them if they are a real charity in good standing (ask them for many references), see if they have a criminal record, or legal judgments against them.
THE "KUCHUMOV PHOTOGRAPHS" HAMOU CLAIMS SHE PAID BUT NEVER RECEIVED
QUOTE BOB ATCHISON May 02, 2004, 07:15:57 PM
Thanks everyone for mentioning Kuchumov and talking about him. If he were here he would be so pleased to know he had friends like us around the world - maybe he knows that wherever he is now.
He never lived to see the reopening of the rooms of the palace, but he know the decision had been made.
I promised him he would see the Mauve Room restored in his lifetime the last time I saw him and he cried. It tore me up inside. He tried to hold on and worked even harder on the research we were doing. Maybe it was some consolation to him that some of his vast knowledge was passing on through me, Rifat and a few others of our core group around him. Had God given him two or three more years....
I know he died with hope for the future but he was also bitter about the helplessness of his body and how poor he was - he was so worried about who would pay for his funeral and have decent clothes to be buried in. He was also bitter because he had been ostracized by many of the museum people. He still had a great relationship with Pavlovsk and the Director, Yuri Mudrov and many of the curators from Pavlovsk would come and see him in his tiny apartment.
His last months were very hard, Rifat was with him - he stayed with him and took care of him.
Kuchumov wanted me to take his photo albums to America - he had around a hundred pictures of the AP that he had saved. No one wanted these - only he did and he preserved them with the hopes they would be used to restore the rooms of the AP. He was afarid that after he died people would come in and take the photos and destroy all of his research. There were rumors that he had treasures from the AP - even Faberge - in his rooms and there were thieves and greedy people who wanted to grab his things as soon as he took his last breath.
Kuchumov also asked me to take fragments of cloth and other things he had for safe keeping. I just could not do this, I thought all of these things should stay in Russia. I went to the Russian Museum and they agreed to scan all of the photographs so they would be saved. A copy of these scans were kept in safe-keeping by them and another set was given to me. In addition, Kuchumov had the pictures copied on slides and gave me a set. I had these duplicated and gave them back to him. Our agreement was that I could use these pictures anyway I wanted to help the restoration, Kuchumov and I were going to do a book on the AP and he gave me a complete outline of how were going to do it. We were well along on it when he passed on.
When the Internet happened I decided to put the pictures on the net so that as many people as possible could see them hoping that this wouold help promote the restoration.
Indeed, when Kuchumov died his things vanished for a while and then they resurfaced in a number of museums. If he hadn't given me the pictures none of this would have happened and only a small percentage of people would ever have seen them.
Kuchumov also gave me a small piece of fabric from the Mauve Room and two small ikons. One was of paper that he had been given in Pskov and the other was a brass ikon that he said had been with him for many, many years. I have no idea where it came from. It was of the Feodorovsky Mother of God. He told me that these ikons had been his spiritual support through many dark days, he then told me about the bad things that had happened in his life.
He lived for the Alexander Palace, it was what kept him going - trying to save the things he had and the pictures. I suppose he must have seen me as a God-send to help, Rifat as well.
When I think of how much he knew about the palace, I mean he was there practically everyday for years and years, I feel rather ashamed at how little I know. His passing is a horrible loss but we all have to do what we can to carry the torch for him.
Mike Newson wrote on AA Legends:
On January 21, 2006 on Pallasart’s “Alexander Palace Time Machine” Forum, the Forum Administrator posted this statement:
Dear Oscarwilde;
That scurrillous website (and frankly I'm sceptical about how you "found" it, since it does not appear in search engines) is essentially all slander and fiction, including a supposed memo which was faked. Mr. Atchison was hired as a historical consultant by someone who failed to live up to their contractual agreement (and who it turned out was a three time convicted felon for crimes of fraud and who owes almost $1 million in judgments to many other people). As a result he filed a lawsuit against them, which went to a jury trial, and he won the lawsuit. The defendant in the suit attempted to discredit Mr. Atchison by means of this same libel and slander to attempt somehow to force him to drop his lawsuit or perhaps as some sort of weird revenge. We ingore this garbage, as that is all it is - most especially considering the source...It appears that this new website is somehow linked to the loser of the lawsuit, as it is all the same old stuff, obviously just "sour grapes" from a poor loser who does not want to pay the judgement and who is now in contempt of court and now subject to jail time in Texas for failing to pay sactions levied by the Court for their abuse of the legal process in the lawsuit.Please rest assured that Anatoly Kotchumov considered Mr. Atchison as a second son. The set of photographs he gave Bob was a duplicate copy set of the originals which are still at the AP, and the duplicates were Kotchumov's personal property. He never took anything from the palace. Bob was single handedly responsible for the American Express dontation to the palace for the new roof. Many many people in Tsarskoe Selo consider Bob a close personal friend. Disregard that scurrilous website.
While the number of items that this statement (above) that could be analyzed are many. It is most interesting to note that after finding and looking at the website in question
http://www.bobatchison.co.uk/. (It seems that the European author hot linked his web site to Oma Hamou's personal web site a few main points come to mind. The memo that appears to bother Pallasart and its associate is one which was a document that Bob Atchison himself gave to the courts during the discovery process of Oma's lawsuit with him. So either the documents are legitimate as Bob represented them to be or he deliberately lied to the courts.
The documents described in either Bob Atchison or Rob Moshein’s post on Pallasart’s, Alexander Palace Time Machine Forum concerns Oma's lawsuit with them and Bob Atchison’s Response. Example, the Memo to John Stubbs by Bob Atchison dated July 2, 1997 was a document Mr. Atchison produced in accordance to the request of line 1 of
http://www.omahamou.com/pdf/affidavit/exhibit098.pdf The same goes to the document concerning Mr. Kuchumov the former director of the Alexander Palace in Russia line 21 of
http://www.omahamou.com/pdf/affidavit/exhibit098.pdf The documents featured on
http://www.bobatchison.co.uk/ are the same documents described above. Both documents, the Bob Atchison Memo to a Mr. Stubbs and the Kuchumov document were documents that HE (and I do mean Robert {Bob} Atchison) through his attorney submitted in the discovery process. These two specific documents are BATE STAMPED or SEQUENTIAL PAGE NUMBER RANGE (Yes the word is Bate not Date, go ask Texas as I don’t know why, --- and look in the bottom right corner? Notice the P for Plaintiff? Meaning that Bob supplied this information to the courts?) if these documents are faked as the Forum Administrator of the Alexander Palace Time Machine states then Bob Atchison himself "faked" it or the statement that the FA made was simply an attempt to direct the focus elsewhere.
I think I have brought up the rules behind the “Big Lie” malaprop propaganda technique?
However, given the number of times that documents that were introduced on Legends were claimed by “Them” to be fakes or fraud, well it seems that such intent is a part of “their” mindset. It would seem that in the heart of Bob Atchison he never thought that the Police or anyone else would ever back Oma to the point of providing her with not only reports but notes and such on what was told to them. Or that he ever thought that various comments would ever be gathered in one location so that people could compare what was said at different times and places. Sure it was not simple to wade through all the exhibits to verify for yourself what was said in those court exhibits and that indeed at different times and places different things were said by Bob Atchison. One has to understand the fierce desire to keep the public from learning the truth and seeing with their own eyes the disparate statements. This is not in accordance with even the most rudimentary concepts behind the “Big Lie,” The Big Lie only works when people are denied the facts, and or are lead in such a manner that they never exert the effort to discover them for themselves.
BOB ATCHISON CLAIMS TO KNOW WITH CERTAINITY WHAT WORK WAS COMMISSONED BY ENIGMA
QUOTE BOB ATCHISON Semi-Circular Hall May 18, 2004, 09:53:45 AM
Despite claims that the walls between the Semi-circular Hall and the Portrait and Billiard Halls have been removed, it has been reported by someone who was recently in the hall that these walls are still there.
These barriers were erected when the palace was used by the Baltic Fleet. They really ruin the perspective of these halls, which, in any case, are still closed to the public. In the last few years I am told the only work done in the Semi-circular Hall has been to collect and cart away some scrap metal. The fabric of these rooms remain much as they were in 1917 - you can still see the hole cut into the back of the wall for the projector system put in for the Imperial Family. The beautiful red glass and gilt bronze chandeliers were saved. One is in the Roman Catholic Church of Tsarskoe Selo. These chandeliers are most likely original to the palace - but were expanded with more candles during the reign of Nicholas I.
I have pictures of these rooms from after the war - without any parquet floors, furnishings or chandeliers - they are quite impressive in their austerity.
QUOTE OHR BLOG: What specific contractual obligations did Oma Hamou make with the State Museum of Tsarskoe Selo and exactly which did she fulfill? Why did she make these contractual obligations if she was NOT in a postion to fulfill them when made?
No, it's not our duty to tell you what the contracts read, you made the statement so be prepared to provide "the" proof and “specific” information contained in Enigma’s (not Ms. Hamou) contract with the State Museum Preserve which would reflect Enigma has not honored it’s commitments to this organization. I do have access to some of Enigma's files via the ones that have been uploaded on the web ( a dedicated site) at one time or another for attorneys in Russia or here in the U.S.
Mike Newson wrote on AA Legends:
In previous posts I've said Bob/Rob have claimed from day one to law enforcement (Bob's statements to the police) Oma and her company Enigma failed to live up to its obligations in its contracts concerning the Alexander Palace. Who made them the LANDLORD of the Alexander Palace sitting inside the jurisdiction of the Russian Federation?
Certainly not the Government of the Russian Federation more precisely, it's President Vladimir Putin.
O.k. getting back to Pallasart's Oma Hamou Reality Blog, I've answered their question with a question. Tell all, specifically which "obligation" that's mentioned (and there are several) in those different contracts (Moscow and Pushkin) has Enigma not lived up too?
The obvious answer is they don't know because NO ONE who is a party to those contracts you know like the government of Russia or Dr. Ivan Petrovich Sautov, himself has spoken to ANYONE, period.
At the very least people know that NO ENIGMA HAS NOT FILMED INSIDE OF THE ALEXANDER PALACE but it did contribute money, money that it can produce in the form of a receipt that shows it paid for works it commissioned inside of that palace.
So the million dollar question is why didn't Enigma film "As A Matter of Honour" inside of the Alexander Palace and do the things speifically outlined in those different contracts?